During downtime on the set of Dawn of The Dead (1978), George Romero would frequently sit down and review the script. Kind of like a Pitcher figuring out his next pitch. It was Romero’s attention to detail that makes this film a relevant classic nearly thirty five years after its release. Buy prints and cards or see more images from my Zombie catalog by clicking here.
Tag Archives: zombies
Zombie Classic –35th Anniversary
This year marks the Thirty-Fifth Anniversary of the Zombie classic, “Dawn of the Dead (1978)”. I was the only Photojournalist on the set at Monroeville Mall outside of Pittsburgh PA and you can read my exclusive interview about the experience in this month’s issue of UndeadZine. You can also see images and buy prints on my commercial gallery by clicking here. This image sums up the experience of the Life of a Film Director from Anguish to Joy in about five seconds. This is the film’s director George Romero, thirty five years ago.
My Interview with UndeadZine
The new issue of UndeadZine is out which features my interview about being a photojournalist on the set of Dawn of the Dead (1978). The magazine has lots of other interesting stuff and is available for tablets and phones with the free Undeadzine App that you can get at the App Store. The issue itself cost just $2.99. You can see my exclusive behind the scene images on my commercial gallery by clicking here.
Zombie Touch Up
The funny thing about make up is that after time and heat it starts to melt away. This can be very problematic for Zombies since there whole appearance is usually make up based. During breaks and downtime on the set of the Dawn of the Dead (1978) you wold see the make up artists roaming throw the throng of Zombies touching up the makeup as required. See other Zombie images on my commercial gallery by clicking here.
Script Review
On a movie set there is a lot of down time, waiting time, non productive time. Producers hate this but Directors take advantage of it. While the crew was setting up and blocking a scene for Dawn of the Dead (1978), George Romero used the time to review the script and decide on his next moves. You can buy a print of this image on my professional gallery by clicking here.
Director of Photography (DP)
Michael Gornick was the director of Photography on Dawn of the Dead (1978). He was patient and soft spoken, talents that were needed with a large cast of inexperienced extras. This image was originally published in Pittsburgh Magazine in 1978 and shows Michael Gornick filming David Emge. You can buy a print of this image on my commercial gallery by clicking here.
A Day in the Life
It occurred to me that the life of a film director is filled with extreme highs and lows. I didn’t realize until working on a film set that these could come within seconds of each other. It takes a special person to be able to handle this kind of stress. These images of George Romero were taken within seconds of each other on the set of Dawn of the Dead in 1978.
You can buy a print of this image at my commercial gallery by clicking here.
Blow Dry
After the Zombies were created, zombie master Tom Savini would give the makeup a blow dry so it would set properly. Between scenes the make up crew would roam the group of zombies and check their makeup and retouch it if necessary, You can buy a print of this image at my commercial gallery by clicking here.
Zombie Gaffers
You can’t make a movie without gaffers. They set the lights, set up the equipment, load film and do just about anything. This is especially true on a small budget movie like the original Dawn of the Dead (1978). Here is the crew setting up the equipment at the beginning of the shoot at Monroeville Mall. You can buy a print of this image at my commercial site by clicking here.
2 A.M Zombie Time
By 2 A.M the nervous energy that the zombie extras had at the beginning of the shoot had vanished and was replaced by some exhaustion. Most of these people had day jobs and had been up for at least 18 hours at that point. You can buy a print of this image on my commercial site by clicking here.







